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Forever: A Novel, by Pete Hamill
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This widely acclaimed bestseller is the magical, epic tale of an extraordinary man who arrives in New York in 1740 and remains ... forever. Through the eyes of Cormac O'Connor - granted immortality as long as he never leaves the island of Manhattan - we watch New York grow from a tiny settlement on the tip of an untamed wilderness to the thriving metropolis of today. And through Cormac's remarkable adventures in both love and war, we come to know the city's buried secrets - the way it has been shaped by greed, race, and waves of immigration, by the unleashing of enormous human energies, and, above all, by hope.
- Sales Rank: #26066 in Books
- Brand: Back Bay Books
- Published on: 2003-11
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.00" w x 5.50" l, 1.20 pounds
- Binding: Paperback
- 640 pages
- Back Bay Books
From Publishers Weekly
This novel demands that the reader immediately suspend disbelief, but if this summons is heeded the reward will be a superior tale told by Hamill (Snow in August; A Drinking Life) in the cadence of the master storyteller. The year is 1741 and this is the story of Cormac O'Connor-"Irish, and a Jew"-who grows up in Ireland under English Protestant rule and is secretly schooled in Gaelic religion, myth and language. Seeking to avenge the murder of his father by the Earl of Warren, he follows the trail of the earl to New York City. On board ship, Cormac befriends African slave Kongo, and once in New York, the two join a rebellion against the British. After the rising is quelled, mobs take to the streets and Kongo is seized. Cormac saves Kongo from death, but is shot in the process. His recovery takes a miraculous turn when Kongo's dead priestess, Tomora, appears and grants Cormac eternal life and youth-so long as he never leaves the island of Manhattan, thus the "Forever" of the title. What follows is a portrait of the "city of memory of which Cormac was the only citizen." Cormac fights in the American Revolution, sups with Boss Tweed (in a very sympathetic portrait) and lives into the New York of 2001. In that year he warily falls in love with Delfina, a streetwise Dominican ("That was the curse attached to the gift: You buried everyone you loved"), and comes into contact with a descendant of the Earl of Warren, the newspaper publisher Willie Warren. His love, his drive for revenge and his very desire to exist are fatefully challenged on the eve and the day of September 11. This rousing, ambitious work is beautifully woven around historical events and characters, but it is Hamill's passionate pursuit of justice and compassion-Celtic in foundation-that distinguishes this tale of New York City and its myriad peoples.
Copyright 2002 Reed Business Information, Inc.
From Library Journal
Cormac O'Connor arrived in New York in 1741-and he's still there, having been granted immortality as long as he remains on the island of Manhattan.
Copyright 2002 Reed Business Information, Inc.
From The New Yorker
If September 11th was a terrible warning of New York's mortality, Hamill's entertaining panhistorical fantasy is a paean to its immortality. In 1740, an Irish Jew named Cormac O'Connor heads to New York in pursuit of the man who killed his father and gets tangled up in a rebellion against the English. Through a series of events involving an African slave with shamanistic powers, he is granted eternal life, provided that he never leaves Manhattan. There follows a tour of the city's history through Cormac's eyes: the political corruption and the poverty, but also the majestic growth of the metropolis through its culture, its buildings, and its people. The book's central conceit could almost have come from the pages of Twain or Bellamy, but Hamill pulls his story fiercely into the present by centering the final phase of Cormac's narrative on the World Trade Center attacks themselves.
Copyright © 2005 The New Yorker
Most helpful customer reviews
2 of 2 people found the following review helpful.
Great Historical and "Magical" Novel
By Metaprof
This is one of the most interesting books I have ever read about New York City and also about Irish Mythology. I came across this book quite by accident, although I had read Hamill's novel "North River," and I knew he had a wealth of knowledge about the history of New York City--where I spent my younger years and believe that it is the greatest city on the face of the earth (with Paris a close second). The plot itself was well woven and begins in northern Ireland in the eighteenth century. It has a bit of magic about it, but not so much that you would really classify this as a fantasy. The protagonist finds himself in Manhattan before the revolutionary war and is subject to a spell (again the magic) that allows him to live forever as long as he does not leave Manhattan. He is also charged with avenging a death that takes place early in the novel. During his "quest" he watches Manhattan grow into the city that it is in the twenty first century. Toward the end of the novel, as he gets ready to take his revenge on the descendent of the nobleman who wronged him early in the book, some interesting twists develop. He becomes involved with a Dominican woman through whose eyes we are also introduced to the mythology of the Caribbean Isles. The characters in the book include a range of historical figures from George Washington to Boss Tweed--the latter of which gets the most sympathetic treatment I've ever read. The novel has a great ending those who have enjoyed the bulk of the book should be greatly pleased by it. Hamill is a great writer and has a wealth of knowledge about the history of New York and Irish Mythology. Not only did I enjoy the plot development (Hamill's a master at this) but I learned quite a bit of interesting facts in the reading. I highly recommend this book to anyone who enjoys a good novel and would like to get some historical education in the process.
1 of 1 people found the following review helpful.
One of the Ten Best Books Ever Written
By Brent D. Tharp
Pete Hamill is an incredible writer. I've been to New York several times but I've never lived there. And I am typically highly critical of literary fiction, because some authors in that genre write beautiful prose but are unable to string sentences and paragraph together to create an actual story.
A couple days after I began this book, having failed to eat, drink, sleep, or use the restroom facilities unless pressed to do so, I emerged from my cocoon a new person. This story is magical, lyrical, supernatural, world-suspending, and wrought from the tears, blood, and joys of generations unknown except in Hamill's book. It is like only a few books I've ever read before or since. I was transported to Ireland and New York City and I lived there with Hamill and his characters. I smelled what they smelled, I saw what they saw, and the pain they felt was pain I experienced as well.
Sorry for the superlatives. It's hard to be completely rational about this book. It is truly a masterpiece.
1 of 1 people found the following review helpful.
Magic, No Conventions
By C. Adelman
35 years ago, Pete Hamill picked me up with an essay, "Let's Get Up Off the Floor" (included in his Irrational Ravings), a much needed and extraordinarily eloquent counterpoint to the nonsense of the late 60s. It became required reading for my students, and I still hold the mimeographed pages dear. He was obviously learned with a prodding nose for detail, and both qualities emerge in Forever. The central conceit of this journey from mid 18th Century Northern Ireland through the horrors of 9/11 (which he renders better than anything you will read, however tense your shoulders), is a combination of Irish mysticism and African magic that creates a central character who will live through 250 years--and with an occasionally appearing eternal horse named Thunder---of the evolution of Manhattan, provided he never leaves, even to Brooklyn. You smell burning bodies, slip in the blood of murders and riots, pound on bar tables, stumble through railroad apartments, and catch phrases of music, literature, art, languages as they shape every turn in the city's history. As one approaches the ends of the novel, you know he's going to do 9/11, with a pregnant girlfriend from the Dominican Republic working on the 84th floor of the North Tower, and you hope he won't play convention. He doesn't! It's easy to complain that one never has a full physical picture of Cormack, and that most of the sex is conducted at a distance, too easy. I won't. Read Hamill's "Thank Yous" at the end to see what he read along the way to the history canvass of the story. That, too, is a lesson to take home.
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