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The Vagina Monologues, by Eve Ensler
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"I was worried about vaginas. I was worried about what we think about vaginas, and even more worried that we don't think about them. . . . So I decided to talk to women about their vaginas, to do vagina interviews, which became vagina monologues. I talked with over two hundred women. I talked to old women, young women, married women, single women, lesbians, college professors, actors, corporate professionals, sex workers, African American women, Hispanic women, Asian American women, Native American women, Caucasian women, Jewish women. At first women were reluctant to talk. They were a little shy. But once they got going, you couldn't stop them."
So begins Eve Ensler's hilarious, eye-opening tour into the last frontier, the forbidden zone at the heart of every woman. Adapted from the award-winning one-woman show that's rocked audiences around the world, this groundbreaking book gives voice to a chorus of lusty, outrageous, poignant, and thoroughly human stories, transforming the question mark hovering over the female anatomy into a permanent victory sign. With laughter and compassion, Ensler transports her audiences to a world we've never dared to know, guaranteeing that no one who reads The Vagina Monologues will ever look at a woman's body the same way again.
- Sales Rank: #78469 in Books
- Brand: Ensler, Eve
- Published on: 2007-12-26
- Released on: 2007-12-26
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.20" l, .57 pounds
- Binding: Paperback
- 272 pages
Amazon.com Review
"I say vagina because I want people to respond," says playwright Eve Ensler, creator of the hilarious, disturbing soliloquies in The Vagina Monologues, a book based on her one-woman play. And respond they do--with horror, anger, censure, and sparks of wonder and pleasure. Ensler is on a fervent mission to elevate and celebrate this much mumbled-about body part. She asked hundreds of women of all ages a series of questions about their vaginas (What do you call it? How would you dress it?) that prompt some wondrous answers. Standouts among the euphemisms are tamale, split knish, choochi snorcher, Gladys Siegelman--Gladys Siegelman?--and, of course, that old standby "down there." "Down there?" asks a composite character springing from several older women. "I haven't been down there since 1953. No, it had nothing to do with [American president] Eisenhower." Two of the most powerful pieces include a jagged poem stitched together from the memories of a Bosnian woman raped by soldiers and an American woman sexually abused as a child who reclaims her vagina as a place of wild joy.
From Booklist
Ensler's powerful, funny, incisive, insightful meditation on one of the most proscribed, vilified, taboo-tainted, shame-shrouded bodily organs in our phallocratic culture is based on personal reminiscences and on interviews with dozens of women of various religious, ethnic, and racial backgrounds. Its topics include the many attitudes women have about their vaginas, ranging from fear to fascination, and the ways those attitudes reflect and influence attitudes about sexuality, health, body image, and even spirituality. Even in the wrong hands--say, of a dry academician--Ensler's material would be enlightening. Fortunately, Ensler is first and foremost a storyteller and has fashioned her material into a highly readable script in which interviews are distilled to pithy brevity or reformatted as emotionally charged prose poems. Reading it, it is not hard to see why the off-Broadway one-woman show Ensler also crafted from its material met with critical and popular success and won Ensler a coveted Obie award. Jack Helbig
From Kirkus Reviews
An adaptation of performance pieces from Ensler's Obie Awardwinning one-woman show, inspired by several hundred interviews the playwright had with women about their genitals. The work, Ensler says, is intended to free women from the shame many have been taught to feel regarding their vaginas and, by extension, their sexuality. It's crucial, she says, ``for women to tell their stories, to share them with other people . . . Our survival as women depnds on this dialogue.'' The monologues (which range from a painful account of rape to a droll record of a woman learning to really see her vagina for the first time, in a ``vagina workshop'') vary greatly in effect, and other portions of the work (which run from character monologues to interpolations by Ensler to lists drawn from her questions to women, such as ``What does a vagina smell like?'') are fragmentary. You might have to be a woman to appreciate the humor and poignancy here, but women will. (Author tour) -- Copyright �1997, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
90 of 98 people found the following review helpful.
One of the most liberating books I've ever read.
By Rachel Gibson (foxglove77@excite.com)
This book is a life changer. I read it six months ago and I cannot believe how much it has liberated me and my attitude towards my body. Like everyone says, you cannot put it down once you begin reading it. Ensler talks about the things I've kept hidden. I never knew just how central to my life my vagina is. A chapter about menstruation, my god, people talk about this? A chapter about orgasm and hair and the fear we have of our own body. The part we never like to talk about. The chapter on birth is amazing, and until then I never knew how complex the woman's vagina is. For a woman of 22, this is a very important read. If you ever get to see her read from The Vagina Monologues, go. She puts on an amazing show. Some people think it's simple but I feel it's life-changing. I would be a very different person without it and not many books can have that kind on impact.
4 of 5 people found the following review helpful.
The foundation of a great show
By Marcy L. Thompson
The Vagina Monologues is a stage piece, and it works *much* better on stage than it does as a pure book. As a stage show, it is thought-provoking, funny and appalling. A good production of this piece picks you up and carries you along. It has something to say to almost everyone, regardless of whether you are comfortable saying the word "vagina" or not.
Somehow, when I read the play, I am less captivated, and more aware of the flimsiness of the words. But the point of the thing is its performance. It is clear, from the afterword to the book, and from people I know who have been involved in productions, and from lots of people who have seen the show, that involvement with a production of this piece can change someone's life. And it really is an engaging piece: funny and moving.
When I first heard about the project (an attempt to address a culture where people rarely say the word "vagina", but there are thousands of words for "penis"), I thought it would be interesting and useful to people who aren't comfortable saying "vagina" out loud. Since I have no problem saying it, I thought it would have little relevance to me. When I saw the performance, I knew I had been wrong. But I don't know if I would have gotten that from the book alone.
I am giving this book five stars, because it works as it is intended to work: on stage. And I am glad I own it, because it is nice to dip into from time to time, when I want to recapture the effect of being in the audience. Plus, the afterword to the "V-Day" edition is extremely interesting and moving.
11 of 17 people found the following review helpful.
not quite what I had expected
By Tracy
I was somewhat dissapointed in this book. I had heard nothing but great reviews of both the book and the performances. But when I finished the book, I found myself very dissapointed. I didn't really laugh. I didn't really cry. It was decent, and perhaps there are women out there who *needed* to read it, but I just didn't find it as inspiring and wonderful as so many others have.
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